For his first solo museum exhibition, Ken Gun Min focuses on one of the major throughlines in his practice: landscapes and the natural world. Featuring expansive paintings from the last six years, The Lost Paradise foregrounds Min’s use of real and imagined landscapes, through which he explores issues such as race, gender, sexuality, and immigrant experiences. In these works, Min creates new ecologies where dense, richly-textured compositions serve as metaphors for human experiences of desire, loss, and power.